Design Trawler Nominated for Best Luxury Blog

Kicking off Design Trawler's coverage of London Design Week [champagne buckets and espresso machines standing by], legendary Italian design house Missoni has nominated Design Trawler as one of eight websites in the category of Best Luxury Blog!

Delightful stuff as I approach article number 250 well in to four years of trawling [that, or perhaps the Milanese maison just has a penchant for red loafers and private jets ;-] As one of the only non-commercial blogs written by a chap, and also because Design Trawler has a shiny new Facebook Page, please vote for Design Trawler in the AMARA Interior Design Awards. Grazie a tutti!

George the Champagne Monkey

Now that Ultraloft holds a fair few bottles of the good stuff, it is only sensible that Robert's Bar puts in place adequate security to keep check on the Wine Room. Any good doorman gorilla understands the need to balance looking smart, with appropriate levels of foreboding menace.

Enter George the Champagne Monkey. A Canadian cousin of Jeff the Balloon Dog from Toronto, George sits atop of the cellars and monitors the comings and goings of Ultraloft's precious fizz. As for foreboding menace, Jeff Koons famously dropped his suit against the likes of George after a court ruled that the balloon form was part of the public domain. Not bad for a blue ceramic monkey... you have been warned!

Design Trawler Central Campus

It was always only a matter of time before Design Trawler would require its own iconic headquarters. Sure, Ultraloft is a spectacular man cave in the making, but there is only so much Marc Newson designed Dom Pérignon; only so many plumen light bulbs, that one residence can accommodate.

Introducing the Design Trawler Campus. This scale model of the sprawling architectural vision features a cascade of geometric modules that'd put the Dame Hadid to shame. At its north point, a Turning Torso inspired tower [of acacia drink coasters by Lou Henry for Nambé] overlooks the suspiciously table-centrepiece-like structure by Sia. Perfect for landing petit-fours helicopters on.

Miniature Monuments to Luxury

Every now and again whilst Design Trawling you'll chance upon a most unexpected discovery. State-side purveyor of fine taste West Elm served up that most pleasing of finds this weekend. On an unassuming teak sideboard sat a single cube of while marble that couldn't escape my attention.

The pictured caddy in shimmering white stone is capped with a lid featuring a sculptural brass handle reminiscent of Brancusi's birds in space or Philippe Stark's Asahi building in Tokyo. The combination of cool monolitihic marble and rich fluid brass is almost ethereal - I'm not sure it it's more appropriate fill it with bath salts, or the cremated ashes of a beloved household pet [you have to admit, there is something curiously Mormon temple about it]. Either way, the material combination is certainly one to remember. Just don't mix up your bath salts with the remains of Constantin the hamster.

The Writing's on the Wall

Narrow wall spaces can be tricky. If it's anything less than a foot wide, it's probably best used only for light switches or slithers or mirror. Here's another thought however. Next time you're roll home after the polo [Design Trawler recommends Hamptons, Windsor, Sand, or Snow] take two minutes to dismantle some of sidings and take home a pitch-side memento.

Hailing from the last ever Cartier International at Windsor back in 2010, this simple hoarding is a nice way of remembering a summer day in the sun. Just add autographs.

Like a Moth to Neon

I am utterly and hopelessly addicted to neon. A colorless, odorless, inert monatomic gas, with about two-thirds the density of air. Pass a high voltage current through it, and the resulting glow from gigantic typographic letters and logos draws me in like a moth about to get it's wings burnt.

It was a former ammunition factory in Warsaw that got me hooked, and no matter how strong the gift shop offering is [exceptionally strong], it was only a matter of time before the museum came to Moses Design Trawler. This masterpiece of restored marquee lettering is my first neon. It relates to Ultraloft's building name, and features beautiful italic serifs, loops and eyes. Stay tuned for more neon acquisitions.

The New Ming Vase - Dutch Alchemy in Delft

The cosy city of Delft in Holland is known for it's iconic blue and white ceramics. Since the 17th Century, Delftware was being produced to cater to European demand for highly prised Chinese porcelains being imported by the Dutch East India Company. It's classic tin glaze has always therefore responded to the times, and De Koninklijke Porceleyne Fles [Royal Delft 1653] continue this tradition today.

New Delft is a collection that combines hand made contemporary forms with modern patterns that are inspired by the historical markings and initials of Delft's original designers. The enigmatic symbols are surrounded by a cartouche, that echos the mark left at the bottom of pottery after being fired. New Delft is available from the Rijksmuseum and is currently on exhibit at Ultraloft's first plinth.

A Seat of Quiet Power

The Cesca chair designed by Marcel Breuer in 1928 is the epitome of a quiet diplomacy in design. The sort of chair you'd find in the canteen at the United Nations, or in Brasilia's Niemeyer designed Congress. It exhibits a soft power that exists in the background; playing a deliberately subtle role.

The chrome tubular frame is objective and intelligent, while the hand-caned supports are honest and reflect a level craft that is neither patronising nor dated. Breuer's B32, [as it was known before being renamed after his daughter Francesca] is the sort of chair you'd want to run for Prime Minister... but in the mean time, these Italian originals from the 1970's will serve Ultraloft exceedingly well.

How to Steal a Damien Hirst - Part II

Back in May, I wrote about how I stole a priceless Damien Hirst butterfly print from an Alexander McQueen store in Mayfair. Various accomplices later, and the delicate silk butterfly print, almost two meters in height, features as the flagship canvas in Ultraloft.

The steal of the decade, certainly. But here's the story of how I avoided spending time at Her Majesty's pleasure. For this heist, not only required careful planning, entrepreneurial zeal, and the right connections, but crucially, was done without breaking a single law. And you can do it too.

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God's Kitchen by Massimo Castagna

I like to think that one day, after I have been immortalised by having a wing on the Design Museum with my name on it [and possibly a few statues of me looking wise and authoritative], I'll be pretty content louching around the ultimate hotel suite that lies behind those pearly gates.

Like the Delano hotel in Miami, it'll be all white sheer curtains, Barcelona chairs and minimalist chandeliers by Luceplan. I'd drift from bathing in the ethereal light, reclining on Eames La Chaises, to perching, bare footed on Yanagi butterfly stools carelessly tucking in to guilt-free pasta liberally accompanied with veal, truffles and grana padano. And Krug.

Well, God's kitchen had better be prepared, because the only pot suitable for preparing pasta worthy of the heavens is the pictured glass variety designed by Massimo Castagna for Knindustrie. Deus, most certainly, ex disegno. But to be sure, perhaps it's better to give it test down on earth first...

Got Miso? - Tasty Design Essentials

There's an age old stereotype of us Brits going on holiday with suitcases packed full of ketchup, beans, and hobnobs. While I can't say that I've ever tested the ability of a concierge to summon a can of Heinz's finest at a moment's notice, there may be something to be said for the concept of 'Bring Your Own'.

Recently I've discovered the exceptional single serve miso packs from Miso Tasty. Unlike other incarnations of the super-soup that are typically found on the hard-carved organic shelves of moonlit feng-shui'ed health food stores; in packaging that has the appeal of a damp leaf(?) of seaweed, Miso Tasty looks achingly smart with monogrammed origami-like packaging that's made in Italy. Design win.

Something savoury to go with your cashews in the Concorde Room? Post gym pick me up? Secret weapon for a marathon session of back to back meetings? Over the past few months, I've had Miso Tasty by my side from Dusseldorf to Doha. The spicy aka variety is fermented for 12 months and along with the classic shiro miso, features a sachet of seasoning, wakame and spring onions that stay separate from the miso paste. Brilliant flavor, brilliant design and second only to my passport when packing a suitcase.

The Design Diet - Part III

Good design helps you stay in shape. We've proved what a delight it is to work off calories with the Waterrower, and also that ceramic pans with bamboo handles are so beautiful that you'll never want to actually use them. But what about the source of those pesky calories?

Opting for larder doors that are glazed, inevitably invites you [and you guests... and your domestics] to take a good look at what you're consuming. Glazed larders not only demand the procurement of the very finest packaged foods, but invariably such foods will weigh heavily on the wallet; discouraging you from actually breaking in to their attractively sealed contents [that, and anyone desperate enough to make an entire meal out of truffle oil, olives and wheatberries probably deserves a few kcal]

Big Cheers for Quiet Design

Somebody once told me "if the Death Star had a tube station, it'd be Westminster"; and anyone who has passed through the terminus will know this holds true. It's a monolithic concrete bunker with cantilevered steel beams, industrial uplighters and scissored escalators. Subtle it is not.

In this respect, if the Death Star needed a vacuum cleaner, it'd be spoilt for choice. Almost every bagless cyclone machine on the market seems to have several dozen conical protrusions and articulated joints, with flashes of patronising neon colours around every gasket, bolt and wheel nut.

We're not designing Lloyds of London here. Vacuum cleaners should be more like the well turned out domestic staff that use them; unobtrusive, quiet and reliable. It's why I was drawn to the top of the range Mach Zen 2 by British firm Vax.

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If Laura Ashley did Industrial Chic

As Ultraloft renovations get underway, stripping back unbearably dull kitchen tiles revealed the most remarkable surface. Artifacts of the construction and previous tiles create a bohemian patchwork of the most interesting colourway. Warm and peachy plaster, cool duck-egg blue and textured grouts in taupe and white. It looks masterful paired with the smooth carrara marble workstops specified for the design.

In a moment of crazed inspiration, instructing the tiler to down tools and get a protective clear glass splashback to protect the sacred discovery would seem like a smart idea. If Laura Ashley did 'reproduction warehouse chic' it would probably look like this [and cost more than said marble]. Alas however, the effect might be lost on those who don't appreciate nonchalant chic.

Prague Invaded by Italy, Brother & Duck

Design Trawler's predicted 'revolution of pattern' is gaining momentum. Advancing north from Italy and in to Prague's Vinohradsky Pavilion are these intoxicating graphical tiles. Patricia Urquiola uses an innovative digital on cement technique for Mutina that torpedoes the plain and austere.

Paired with cool greys, green foliage and the frosted glass doors, pictured, Brother & Duck strike a contemporary yet classic balance for the Pavilion. At over €140 a meter, nobody said being at the cutting edge of design is cheap, but similar styles are already filtering through to clued-in retailers in the UK.