Tuesday, 28 October 2014
What can I say. Design Trawler writes about a reindeer blanket and President Obama goes out and buys the same one. Mam Sam Miso Mugs spotted in Warsaw, make an appearance at London Design Week months later. And now, a casual reference to my breakfast cereal of choice, the fictitious Cartier Crunch, has British fashion designer Anya Hindmarch designing couture cornflakes.
Available in limited edition from Waitrose; cleaner was not impressed; summarily binning my carton of Fashion Flakes, lost forever to the Perigot Frisbee. And herein lies the problem. Fashion is fickle, but design ensures. Had Tony the Tiger teamed up with Norman Foster to create Foster-ies, or Sir Terrance to create Conran Flakes, I'm sure said cereal box would have had a less perilous end.
Wednesday, 15 October 2014
It was in 2003 that I visited the seminal Art Deco exhibition at London's Victoria and Albert museum. I visited for the streamline race cars and polished steel toasters, but stood for a lifetime when I first saw Bird in Space. A golden stroke of such purity and form, I stood and gazed at the marvel by Constantin Brancusi for perhaps 10 minutes, but it might as well have been ten years.
Never before had I been transfixed by something in such a way; and still am! Clearly I head good taste - Not only did Bird in Space set legal precedent what what can rightfully be called art, but also set the record for the most expensive sculpture in history at the time [$27.5m in case you'd like to make an anonymous donation to the Design Trawler Brancusi fund] .
Sadly, my chances of owning Constantin's masterpiece anytime soon don't look too likely. While I've often considered commissioning a